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| Cupid & Psyche, Edward Burne-Jones |
There are many reasons why I love reading and writing
historical novels. Firstly, I love history. Secondly, I am just a big softie
and like nothing better than a Happy Ever After ending.
I began by making a list of things which draw me to my
favourite era, the Regency. As it grew, just for fun I thought I would make it
a Romantic Fiction ABC. Here, then, is my Top Twenty of why I love Historical
Romance novels.
A is for Architecture
I just love Georgian architecture, whether as a London town
house or a beautiful country mansion. There is something hugely romantic about
the arrangement and shape of windows, pediments and porticoes; of marbled
floors and the symmetry of rooms around a central entrance hall; of rococo
plaster work on ceilings and mantelpieces, and – far from least – the glorious
richness of murals and ceiling paintings.
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| Berrington Hall, Herefordshire |
B is for Breeches and
Top-boots
Some ladies find attraction in Giorgio Armani, Gucci and
Boss. Not so this romantic author. For me, men in breeches, neckcloths and elegant
coats, with top-boots or Hessians, have a swoon factor the half-naked men depicted
on some modern covers just don’t have (not that I don’t appreciate a manly
chest, you understand!) The sight of Richard Armitage’s Mr. Thornton will
always win the heart over his be-stubbled Guy of Gisburne. Although… ahem.
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| Mr. Darcy's ensemble from 1995 adaptation of Pride & Prejudice |
C is for Carriages
There is just something about a four-in-hand and a
beautifully turned out equipage that modern cars cannot emulate. Although they
were nowhere near as comfortable to travel in (and I appreciate many will
disagree with me), cars have nothing to compare with the jingle of harness, the
stamp of a shod hoof, the snort of the proud ‘cattle’ poled up. Flying
feathers, tossing manes, swinging tails; the glorious, pungent smell of sweat
glistening on warm equine hides… ah, sweet bliss to the horse fan!
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| The Edinburgh - London Royal Mail, J.F. Herring Snr. |
D is for Dresses and
Drawers
What can be more romantic than beautiful gowns with frills
and flounces? I will confess they have never been my idea of comfortable
clothing, but I love to see them and certainly wouldn’t mind possessing an
elegant riding habit. I love to read a book where the author has taken the
trouble to describe what characters are wearing. For me, that is part of the
magic of historical fiction – to be carried away to another time, to escape
reality for a while. I hope I succeed in sweeping my readers away to the world
my characters inhabit.
E is for Elegance
The Georgian era is renowned for its elegance. Georgette
Heyer’s heroes appreciate a well-turned ankle, do not leer over some Page 3
girl. Beautiful porcelain, cut glass and tableware; delicate fans, with their
own discreet language; pretty frills and fichus; embroidery, lace and silks;
the smooth rotation of a perfect waltz… the instances are many. When I have
time, reading a well-written novel or watching an historical drama takes me
away from the ordinariness of everyday 21st Century life and allows
me the illusion such elegant living has not gone for good.
F is for Furniture
Having longed for a Hygena bedroom in my youth, I now
appreciate the beauty of hand-crafted wood and especially that of the Georgian
age. I love most old furniture, even utility stuff made during WWII. I should
love to have a big kitchen with Welsh dressers, solid oak tables and cupboards.
Part of the romance of the Regency era, though, is the elegant mahogany and
marquetry you find in many a National Trust property. One day, I have promised
myself, I will have Georgian-style winged armchairs and elegant side-tables!
G is for Georgette
Heyer
Georgette Heyer is the reason I am writing this blog. Had it
not been for discovering her books when I was about eleven or twelve, I
probably would not be where I am today. She is the Queen of Regency and
although she dismissed her novels as ‘fluff’, you would be hard put to find
better written romantic novels. I love her style and wit, her masterly
descriptions and the sense of fun her novels convey. When you laugh out loud at
a book, it can only be a winner. May I proffer humble thanks, ma’am.
H is for Horses
One of the best things about historical novels is the
horses. Although they are probably more revered today, being much-loved by
millions of adoring owners throughout the world, in bygone times they were a
necessity. Without horses, Knights could not have ridden into battle,
stage-coaches could not have carried passengers and other items, and produce
could not have been carried about the country. I have spent my equestrian hours
riding astride and much of that time in the pursuit of dressage perfection, the
most elegant of equestrian pursuits. Nevertheless, there is no more elegant
sight than a lady in a beautiful habit, riding side-saddle. Horses in
themselves are romantic. Even the lowliest Dobbin has his own grace and
majesty. Take those most noble of Georgian breeds, the Arabian and the
Thoroughbred, and you have fire, beauty, courage, loyalty and intelligence
besides. And I’m not just saying that because I love horses.
The Horse by
Ronald Duncan
Where in this wide
world can man find nobility without pride,
Friendship without
envy,
Or beauty without
vanity?
Here, where grace is
served with muscle
And strength by
gentleness confined
He serves without servility;
he has fought without enmity.
There is nothing so
powerful, nothing less violent.
There is nothing so
quick, nothing more patient.
England's past has
been borne on his back.
All our history is in
his industry.
We are his heirs, he
our inheritance.
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| Lord Grosvenor's Arabian Stallion with a Groom George Stubbs |
H is for HEA
I admit it. I am a sucker for a happy ending. While there
can be an emotional satisfaction in a sad conclusion to a story, if that is
what the plot demands, I do like to see my characters happily settled at the
end of a novel and I prefer to read books with either a happy ‘ah’ ending or a
witty one. Georgette Heyer was particularly adept at the latter and it always
left me with a warm feeling. I try to do that with my own stories, because
romantic historical fiction should be about escapism. We have enough reality in
this modern world.
I is for Interiors
I love visiting a stately home and seeing a room decorated
as it would have been in eras gone by. It is fascinating, especially when it is
done in Regency style. Old buildings have an amazing atmosphere. Although a
ruin, Witley Court in Worcestershire has the most wonderful feel of secrets and
ghosts from times long past. Many years ago I was lucky enough to visit
Salzburg in Austria, where the fortress is alive with the spirits of previous
centuries. (No, I’m no madder than any other writer, honest!) I try and convey
this to my readers through my writing, because for me, romance is not only
about the love story.
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| Ballroom, Witley Court |
J is for Jane Austen
What Regency author doesn’t love Jane Austen’s works? She
was, of course, writing about her own time and did not invent the Regency
genre. Georgette Heyer can be credited with that. However, Jane has bequeathed
us so many gems of insight, custom and historical detail. From her works we
know the modern delight in contracting words in dialogue (one of my bête noirs
in historical novels) is not accurate. She gave us the wicked romp in Lydia and
the serene beauty in Jane. She gave us the intelligent, independently minded
heroine in Elizabeth and the interfering one in Emma. She also gave us the
toe-curling Mr. Collins, the wonderful Colonel Brandon and the worst marriage
proposal in English literature! Thanks to Auntie Beeb and Andrew Davies,
though, I can no longer read Pride and Prejudice without thinking of Colin
Firth and that scene…
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| Darcy's shirt |
L is for Losing
myself in another world
As I’ve already mentioned, one of the beauties of reading or
writing historical fiction is the opportunity to become so immersed in another
era that time loses all meaning and everyday pressures and worries cease to
exist – at least while you are in that world. If a book can do that for me, it
is a true romance in the best tradition.
L is for LOVE
Love. One of the strongest emotions, it comes in so many
forms: Love of life, a subject, a place, a view; love of family, of friends, of
pets… and of that one special person in your life. Love is all you need sang the Beatles and they weren’t far wrong.
Love makes the world go round. Within the pages of novels from the Circulating
Libraries, ladies of the Regency found solace from their humdrum lives and
loveless marriages. Nowadays, we buy romance novels by the zillion, just for
the sheer pleasure of that perfect, joyful connection with another person.
There are few more satisfying feelings than reaching the end of a wonderful
book with a happy ending. That warm, fuzzy sensation is love in itself.
M is for Manners and
Courtesy
I am a traditionalist, and appreciate it when a gentleman
holds open a door for me or a child says please and thank you. I’m aware I am a
dying breed and yes, I am perfectly capable of opening my own door, but it is nice to have it done for me. It is nice
when a gentleman helps you out of a car (or down from a carriage!) It is nice
to be escorted on a proffered arm and treated with old-fashioned courtesy. It
is particularly nice when the
gentleman next door mows your front verge with his ride-on mower to save you
having to struggle with your old electric one! I love that about Regency
novels, that even when people were insulting each other, it was couched in such
a manner as to be civil, rather than screaming abuse heavily littered with
profanity.
N is for Names
There have been lots of great names throughout the centuries
which are now virtually obsolete. Joscelin, for a man, is one of my favourites
and finally found its owner in the hero of Carpet
of Snowdrops. There is a certain romantic beauty in many old names, I feel…
although perhaps not Godfrey, Wat or Alf!
O is for Original
Heroines must have something about them. They must be strong
and engaging and preferably have some trait or quirk which makes them unique.
That strength need not mean they are independent and headstrong, but that they can
deal with whatever ‘life’ throws at them in a fashion which is enjoyable to
read. They must also behave in a manner befitting the era they live in. If a
Regency heroine talks and behaves in the manner of a modern miss, it throws me
out of the story. It is part of the charm and romance of an historical novel to
discover how the heroine can claim her hero without overstepping the bounds and
mores of the time.
P is for Posting
Houses and Coaching Inns
I just love old inns, especially if they still have their original
stable yards! I am fascinated by the history of them; the stories of past
landlords and noble (or well-known) patrons, of smugglers and highwaymen, of
ghosts and crimes. I am also fascinated by the growth of such buildings and how
they became famous. Romance comes in so many forms.
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| Yard at Bull and Mouth, St. Martin's le Grand, George Shepherd 1817 |
R is for Rakes and
Rogues
What reader of historical romance doesn’t love a rake or a
rogue? This article would not be complete without them! I
admit I do have a soft spot for one – provided he has some redeeming features,
loves his lady and is reformed (or at least faithful) by the end of the book.
He must be tender as well as masterful and recognize his shortcomings. After
all, a gentleman with experience is better set to please his bride! Perhaps my
favourite literary rake is Damerel in Georgette Heyer’s Venetia.
S is for Social
History
Well-written and well-researched novels are a fascinating
window on the way people lived in a previous time – and what a great way to
learn! This is one of the best of the many facets of Georgette Heyer and Jane
Austen novels: the historical detail. I love to know what people ate, drank,
slept in, sat on, used, wore and did for recreation and entertainment. I’m just
a nosey so-and-so!
S is for Stables
Horsemastership has essentially changed very little over the
centuries. With the advent of the motor car, however, many country houses
reduced their stabling or converted into garaging. During the Victorian era,
traditional stalls were lost, with loose boxes becoming more prevalent. The
now-accustomed ‘half door’ looking on to a quadrangle was yet to become the
norm, so beware, authors of Georgian and Regency fiction! Most horses of those
times were stabled in stalls, the size dependent on the animal’s breeding and
status. Nothing, however, can be more romantic, in an equestrian sense, than a
line of heads looking out on to a cobbled yard, ears pricked and nickering (not
whickering, that’s American) for breakfast.
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| The Stables and Two Famous Running Horses, James Seymour |
T is for Tattersall’s
As a horse lover, a visit to London isn’t complete without a
look-in at Hyde Park Corner and a walk down Rotten Row. The most famous horse
sales and bloodstock agency in the world began life here, founded in the 1770s
by Richard Tattersall. The Duke of Kingston’s former groom and trainer rented
land behind St. George’s Hospital, close to the Corner. It quickly became the
place to be seen among gentlemen with an interest in equestrian matters, as
well as the place to buy and sell horses. A weekly sale was held and ‘Black
Monday’ became the not always humorous nomenclature for Settling Day. It meant
the ruin of many an aristocratic name. Tattersall’s is one of the must-see
places for young Johnny Raws from the country in any Regency novel.
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| Tattersalls, Hyde Park Corner, 1842 |
V is for Vauxhall
Gardens
What can be more romantic than a trip down the river to
Vauxhall for the characters in an historical novel? Picture the shadowed paths,
the tree-lined walks, the music playing and figures bedecked in their finery,
flitting like butterflies and chattering like sparrows. It is the perfect
setting for a clandestine meeting, a risqué masquerade or an elegant concert
followed by supper and a romantic walk along the lantern-lit paths. Such
intrigues can be envisaged, such dastardly actions performed, and all for the
stroke of pen or press of keypad… Vauxhall was made for romantic fiction!
W is for Witty
Dialogue
Of all the elements of good Regency fiction, possibly the
one I like best is the witty dialogue. While Jane Austen had an acerbic wit, Georgette
Heyer was the grande dame of the
concept in her novels. I laugh aloud when I am reading her books and that does
not happen with many authors. I love it when I find someone who writes with
that same sense of humour. Of course, beside JA and GH, the rest of we poor
mortals can but aspire.
This is one of my favourite quotes and comes from Faro's
Daughter, first published by Wm. Heinemann Ltd. in 1941.
"You will find it
very inconvenient to keep me in your cellar indefinitely, I imagine, but I must
warn you I have not the smallest intention of leaving it, except upon my own
terms."
"But you cannot
let the race go like that!" cried Deborah, aghast.
"Oh, have you
backed me to win?" he said mockingly. "So much the worse for you, my
girl!"
© Heather King
All photographs © Heather
King
Other images Public
Domain
